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📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 We have the record of making tourism documentary in the shortest time.We made more than 1200 minutes of film in one year.We are ready to sell these videos to the world.And we are ready to cooperate with film orders in the world.We will make any videos you ordered us.The way we communicate is in the description. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia. IRANIAN AMAZING PLACES -people are amazing-بهترین تصاویر از ایران The Most Ancient Land depicts the journey of a filmmaker who, as a human being living on earth, looks for the most ancient places in order to know better himself, and studies the history and myths of those places. Tourists, archaeologists, history fans, students of architecture, history, and cinema, in addition to the public and all people who like the wonders of the world will be the audience of the series. Iran is an old country with ancient culture and civilization and hospitable people, and many tourists would like to see and know this country which is still unknown to the tourists. Therefore, a part of the world’s geography with its traditions and attractions will be shown to the viewers. BIOGRAPHY OF PRODUCER& DIRECTOR: https://en.everybodywiki.com/Behrouz_sebt_rasoul Born in 1970 Graduated in Industrial Engineering Engineering Activity He is graduated in industrial engineering .The beginning of engineering career in Iran Khodro 1991 and the last occupation in oil and gas companies. Member of Iran Project Management Association member of iran house music member of assocciation iran filmmaker companies Art Activity Playing persian traditional music (Tar and 3tar) since 1992 Writing over 120 cultural articles for magazine Writer of 8 books for children Writer of 2 novels Scriptwriter Producer and director of the movies Date of love New weather The flight melody Nonstop life Child labor Dream Singer love Identity The hidden way Producer and director many video commercials Awards NOMINATED IN “VARESH” FEST 2012. (The Singer In Love) THE BEST FILM WINNER IN “IFIC” 2015. (Identity) NOMINATED OF BEST FILM IN “YAS” FEST 2015. (Identity) NOMINATED OF BEST DIRECTOR IN “YAS” FEST 2015. (Identity) PRECENCE IN 14th “CHENNAY” 2017 INTERNATIONAL FILM INDIA 2016 (Identity) SELECTED IN 15TH “DHAKA” 2017 FILM FESTIVAL (Identity) SELECTED IN 15th” PUNE” 2017 (INDIA)FILM FESTIVAL (Identity) SELECTED IN “IMFF” 2016 (DENMARK) (Identity) SELECTED IN “UIMF” (LONDON) 2016 (Identity) SELECTED IN HUMAN RIGHT (UKRAIN) 2016 (Identity) SELECTED IN HUMAN RIGHT (LONDON) 2017 (Identity) THE BEST FILM WINNER IN “HOLLYWOOD IFMPFF” 2016. (The Hidden Way) THE BEST DIRECTOR IN “WORLD FILM FESTIVAL” (AMERICAN) 2016 (The Hidden Way) SELECTED IN “LOS ANG LES INDIPENDED FILM FEST”. (The Hidden Way) SELECTED IN “INDIE WISE AMERICAN FEST”. (The Hidden Way) SELECTED IN “GRAND OFF” (POLAND) INTERNATIONAL FILM FEST. (The Hidden Way) SELECTED IN ASIA (CHINA) INTERNATIONAL FILM FEST. (The Hidden Way) THE BEST IN MIDDLE EAST BUSSINES “INDEPENDENT FILM PRODUCTION” 2016 (The Hidden Way) راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
IRANIAN AMAZING PLACES -people are amazing-بهترین تصاویر از ایران
YouTube Video UClWt3ij54l0ot3dXnULmC5w_oxwmahtoWR4
📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 We have the record of making tourism documentary in the shortest time.We made more than 1200 minutes of film in one year.We are ready to sell these videos to the world.And we are ready to cooperate with film orders in the world.We will make any videos you ordered us.The way we communicate is in the description. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia. amazing places-people are amazing(Trailer Of Our Tourism Films)- تیزر فیلمهای مستند ایران The Most Ancient Land depicts the journey of a filmmaker who, as a human being living on earth, looks for the most ancient places in order to know better himself, and studies the history and myths of those places. Tourists, archaeologists, history fans, students of architecture, history, and cinema, in addition to the public and all people who like the wonders of the world will be the audience of the series. Iran is an old country with ancient culture and civilization and hospitable people, and many tourists would like to see and know this country which is still unknown to the tourists. Therefore, a part of the world’s geography with its traditions and attractions will be shown to the viewers. BIOGRAPHY OF PRODUCER& DIRECTOR: https://en.everybodywiki.com/Behrouz_sebt_rasoul Born in 1970 Graduated in Industrial Engineering Engineering Activity He is graduated in industrial engineering .The beginning of engineering career in Iran Khodro 1991 and the last occupation in oil and gas companies. Member of Iran Project Management Association member of iran house music member of assocciation iran filmmaker companies Art Activity Playing persian traditional music (Tar and 3tar) since 1992 Writing over 120 cultural articles for magazine Writer of 8 books for children Writer of 2 novels Scriptwriter Producer and director of the movies Date of love New weather The flight melody Nonstop life Child labor Dream Singer love Identity The hidden way Producer and director many video commercials Awards NOMINATED IN “VARESH” FEST 2012. (The Singer In Love) THE BEST FILM WINNER IN “IFIC” 2015. (Identity) NOMINATED OF BEST FILM IN “YAS” FEST 2015. (Identity) NOMINATED OF BEST DIRECTOR IN “YAS” FEST 2015. (Identity) PRECENCE IN 14th “CHENNAY” 2017 INTERNATIONAL FILM INDIA 2016 (Identity) SELECTED IN 15TH “DHAKA” 2017 FILM FESTIVAL (Identity) SELECTED IN 15th” PUNE” 2017 (INDIA)FILM FESTIVAL (Identity) SELECTED IN “IMFF” 2016 (DENMARK) (Identity) SELECTED IN “UIMF” (LONDON) 2016 (Identity) SELECTED IN HUMAN RIGHT (UKRAIN) 2016 (Identity) SELECTED IN HUMAN RIGHT (LONDON) 2017 (Identity) THE BEST FILM WINNER IN “HOLLYWOOD IFMPFF” 2016. (The Hidden Way) THE BEST DIRECTOR IN “WORLD FILM FESTIVAL” (AMERICAN) 2016 (The Hidden Way) SELECTED IN “LOS ANG LES INDIPENDED FILM FEST”. (The Hidden Way) SELECTED IN “INDIE WISE AMERICAN FEST”. (The Hidden Way) SELECTED IN “GRAND OFF” (POLAND) INTERNATIONAL FILM FEST. (The Hidden Way) SELECTED IN ASIA (CHINA) INTERNATIONAL FILM FEST. (The Hidden Way) THE BEST IN MIDDLE EAST BUSSINES “INDEPENDENT FILM PRODUCTION” 2016 (The Hidden Way) راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
amazing places-people are amazing(Trailer Of Our Tourism Films)- تیزر فیلمهای مستند ایران
YouTube Video UClWt3ij54l0ot3dXnULmC5w_ow-afUrkPi4
📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 The term Tanbur (Persian: تنبور, pronounced [t̪ʰænˈbuːɾ, t̪ʰæmˈbuːɾ]) can refer to various long-necked, string instruments originating in Mesopotamia, Southern or Central Asia. According to the New Grove Dictionary of Music and Musicians, "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Iranian folk music-Professional Iranian musician (World music) - نوازندگان ایران (عادل کمالی) select: https://en.wikipedia.org/wiki/Tanbur Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC.[1] Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument.[5] Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players.[5] Playing the tanbur was common at least by the late Parthian era and Sassanid period,[6] and the word 'tanbur' is found in middle Persian and Parthian language texts, for instance in Drakht-i Asurig, Bundahishn, Kar-Namag i Ardashir i Pabagan, and Khosrow and Ridag.[note 1][5] In the tenth century AD Al-Farabi described two types of tanburs found in Persia, a Baghdad tunbūr, distributed south and west of Baghdad, and a Khorasan tunbūr.[1][5] This distinction may be the source of modern differentiation between Arabic instruments, derived from the Baghdad tunbūr, and those found in northern Iraq, Syria, Iran, Sindh and Turkey, from the Khorasan tunbūr.[1] The Persian name spread widely, eventually taking in Long-necked string instruments used in Central Asian music such as the Dombura and the classical Turkish tambur as well as the Kurdish tembûr. select: https://translate.google.com/translate?hl=en&sl=fa&u=https://www.isna.ir/news/8010-02828/%25D8%25B9%25D8%25A7%25D8%25AF%25D9%2584-%25D9%2583%25D9%2585%25D8%25A7%25D9%2584%25D9%258A-%25D8%25B3%25D8%25B1%25D9%25BE%25D8%25B1%25D8%25B3%25D8%25AA-%25D9%2586%25D9%2588%25D8%25A7%25D8%25B2%25D9%2586%25D8%25AF%25DA%25AF%25D8%25A7%25D9%2586-%25D9%2583%25D8%25B1%25D9%2586%25D8%25AF-%25D8%25BA%25D8%25B1%25D8%25A8-%25D9%2583%25D8%25B1%25D9%2585%25D8%25A7%25D9%2586%25D8%25B4%25D8%25A7%25D9%2587-%25D8%25A8%25D8%25A7%25D9%2588%25D8%25AC%25D9%2588%25D8%25AF-%25D8%25A7%25D9%2586%25D9%2582%25D8%25B1%25D8%25A7%25D8%25B6&prev=search&pto=aue Adel Kamali is the leader of the musicians participating in the third music festival of the regions of West Kermanshah and the leader of the "Kamali" tambourine group. So far, he has won several awards from various domestic festivals. Has been appreciated. He is currently the leader of a group that introduces a complete collection of music in the "Goran" region, including mystical tambourine, religious and ancient instruments of the tambourine, wind instruments, percussion and percussion, as well as the rhythmic movements of this region. Adel Kamali in an interview with ISNA reporter about the process of holding the regional music festival said:I wish we had organized such a festival before, but now we have to hurry, because most of the strong musicians of the region are old and a significant number of them are in the past and many pure and ancient blessings have been buried..... عادل كمالي سرپرست نوازندگان شركت كننده در سومين جشنواره موسيقي نواحي از كرند غرب كرمانشاه و سرپرست گروه تنبور نوازان “كمالي“ است. وي تاكنون جوايز متعددي را از جشنواره‌هاي مختلف داخلي كسب كرده است در نخستين جشنواره موسيقي نواحي اجراي حفظ و حراست از موسيقي نطقه كرمانشاهان و در دومين جشنواره براي تربيت شاگردان متعدد و كم سال و همچنين در بخش سازسازي اين جشنواره به عنوان بهترين سازنده تنبور از وي قدرداني شده است. وي در حال حاضر سرپرست گروهي است كه به معرفي مجموعه‌اي كامل از موسيقي منطقه “گوران” شامل تنبورنوازي عرفاني، مقام‌هاي آييني و باستاني تنبور، سازهاي بادي، كوبه‌اي و مضرابي و همچنين حركات موزون اين منطقه مي‌پردازند. راه ارتباطی با استاد عادل کمالی : https://www.instagram.com/adelkamali_/ راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian folk music-Professional iranian musician (World music) - نوازندگان ایران (استادعادل کمالی)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_cDIY8ff8nfk
📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 Hear and watch Iran's strongest voices.قوی ترین صداهای ایران را بشنوید و تماشا کنید We will be showcasing folk music on this channel. صدای هادی اسدی UNBELIEVABLE VOCALS-world music(Azerbaijan music)-موسیقی آذربایجانی(قوی ترین صداها) SELECT: https://en.wikipedia.org/wiki/Ashik An ashik (Azerbaijani: aşıq; Turkish: aşık; Persian: عاشیق) or ashugh (Armenian: աշուղ; Georgian: აშუღი)[1]:1365[2][3] is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as hikaye) or a shorter original composition—with a long-necked lute (usually a bağlama or saz)[4]:225 in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis),[4] as well as non-Turkic cultures of South Caucasus (primarily Armenian and Georgian).[5]:15–36[6]:47[7][3] In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs.[8] The word ashiq (Arabic: عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ishq (Arabic: عشق, "love"), which in turn may be related to the Avestan iš- ("to wish, desire, seek").[9] The term is synonymous with ozan in Turkish and Azerbaijani, which it superseded during the fifteenth to sixteenth centuries.[10]:368[11] Other alternatives include saz şair (meaning "saz poet") and halk şair ("folk poet"). In Armenian, the term gusan, which referred to creative and performing artists in public theaters of Parthia and ancient and medieval Armenia, is often used as a synonym عاشیق، عاشق یا آشیق (به به ترکی آذربایجانی: Aşıq، به ترکی استانبولی: Aşık) عارف و نغمه‌سرای سیاری است که ساز می‌نوازد و آواز می‌خواند. پیش از جا افتادن لغت «عاشیق» این صنف با کلمه ترکی اوزان شناخته می‌شد.[۱] عاشیق‌ها اغلب در بداهه خوانی مهارت دارند و شعر و آهنگ تصنیف‌های خودشان را هم گاهی خود می‌سازند.[۲] نظائر عاشق‌های آذربایجان در میان دیگر ترک‌زبانان، با نام‌های عاشوق، بامسی، باکسی، بخشی و … مشهور بوده‌اند و برخی اقوام و ملل غیر ترک نیز عاشق را با همین مشخصات و گاه با همین نام و گاه با نام‌های دیگر دارند. بخشیها و بخشوهای جنوب ایران و دیگر مناطق و نواحی ایران از آن جمله‌اند.[۳] در طول تاریخ اقوام ترک، فرمان‌روایان همواره در سفرهای جنگی اوزان‌ها را به همراه می‌بردند تا با بیان اشعار حماسی لشکریان را تشجیع کنند. Pahlavi era was the darkest period for Azerbaijani literature. The education and publication in Azerbaijani language was banned and writers of Azerbaijan, had to publish their works in the Persian language. However, ashik music was tolerated. Ashiks frequently performed in coffee houses in all the major cities of east and west Azerbaijan in Iran. Tabriz was the eastern center for the ashiks and Urmia the western center. In Tabriz ashiks most often performed with two other musicians, a balaban player and a qaval player; in Urmia the ashik was always a solo performer.[19] After the Islamic revolution music was banned. Ten years later, ashik Rəsul Qurbani, who had been forced to make a living as a travelling salesman, aspired to return to the glorious days of fame and leisure. He started composing songs with religious and revolutionary themes. The government, realizing the propaganda potential of these songs, allowed their broadcast in national radio and sent Rəsul to perform in some European cities. This facilitated the emergence of the ashik music as the symbol of Azeri cultural identity. In September 2009, Azerbaijan's ashik art was included into UNESCO list of Intangible Cultural Heritage. راه ارتباطی با هادی اسدی: https://www.instagram.com/__hadi_asadi_/ راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
UNBELIEVABLE VOCALS-world music(azerbaijan music)-موسیقی آذربایجانی(قوی ترین صداها)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_IoQH40xDSZc
📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 The story of a boy who had to work because of poverty. داستان پسری که به دلیل فقر مجبور به کار کردن شد Mehdi, a 13-year-old boy, starts peddling for the first time. He is arrested by the Municipality Anti Blockage Unit officers and is taken to a poorhouse. His mother finds out and goes after him, but she faces obstacles because no ID has been issued for Mehdi and he does not exist on papers. Iranian movie winner(asian cinema) -behrouz sebt rasoul -WORLD CINEMA فیلم کامل سینمائی (هویت) {There is poverty in most countries of the world, and there are children working all over the world. The film wants to demonstrate that poverty should be eliminated in all the world.Child labor should not exist.This is not just about Iran.} این فیلم موفق به کسب جوایز متعددی شد: بازیگران و عوامل کارگردان: بهروز سبط رسول نویسنده: بهروز سبط رسول تهیه‌کننده: بهروز سبط رسول بازیگران مهری آل آقا – در نقش – مادر مهدی مهدی – در نقش – مهدی رویا بختیاری – در نقش – خواهر مرضی سیاوش خادم حسینی – در نقش – کارمند نوانخانه پیمان مقدم – در نقش – کارمند شهرداری کیمیا سبط رسول – در نقش – مسافر عوامل مدیر فیلمبرداری: کوروش سیگارودی صدا: امیر شاهوردی تدوین: قاسم خدابنده‌لو مترجم: حسن شرف‌الدین جوایز برنده بهترین فیلم جشنواره IFIC (2015) برنده بهترین فیلم از جشنواره کودک هند (۲۰۱۷) نامزد بهترین فیلم جشنواره یاس (۱۳۹۴) نامزد بهترین کارگردانی جشنواره یاس (۱۳۹۴) منتخب جشنواره کالیفرنیای آمریکا (۲۰۱۷) حضور در جشنواره بین‌المللی فیلم چنای هند (۲۰۱۷) منتخب جشنواره فیلم داکا (۲۰۱۷) منتخب پانزدهمین جشنواره فیلم پونا – هدوستان (۲۰۱۷) منتخب حقوق بشر لندن (۲۰۱۷) منتخب جشنواره IMFF دانمارک (۲۰۱۶) منتخب جشنواره UIMF لندن (۲۰۱۶) منتخب جشنواره THEMODCON لندن (۲۰۱۶) منتخب جشنواره حقوق بشر اوکراین (۲۰۱۶) منتخب جشنواره سانفرانسیسکو آمریکا (2018) Cast & Crew Director: Behrouz Sebt Rasoul Script Writer: Behrouz Sebt Rasoul Producer: Behrouz Sebt Rasoul Cast In order of appearance Mehri Al-e-Agha – AS – Mehdi’s Mother Mehdi – AS – Mehdi Roya Bakhtiari – AS – Morteza’s Sister Siavash Khadem Hosseini – AS – Poorhouse Clerk Peyman Moghadami – AS – Municipality Clerk Kimia Sebt Rasoul – AS – Passenger Crew Camera: Kourosh Sigaroudi Sound: Amir Shahverdi Editor: Ghasem Khodabandehlou Translator: Hassan Sharafoddin Awards Winner – Best Film – IFIC (2015) winner- Best film – indian international film festival (2017) Nominated – Best Film – YAS Festival (2015) Nominated – Best Director – YAS Festival (2015) Presence – Chennay International Film India (2017) Selected – Dhaka Film Festival (2017) Selected – Pune 15th Film Festival – India (2017) Selected – Human Rights London (2017) Selected – IMFF Denmark (2016) Selected – UIMF London (2016) Selected – THEMODCON London (2016) Selected – Human Rights Ukrain (2016) Selected- california international film festival (2017) Selected-san francisco world film festival (2018) بیوگرافی کارگردان: https://fa.wikipedia.org/wiki/بهروز_سبط_رسول director biography: https://en.everybodywiki.com/Behrouz_sebt_rasoul راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian movie winner( asian cinema) -WORLD CINEMA- behrouz sebt rasoul فیلم کامل سینمائی (هویت)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_taYlgsMQ3FE
📢SUBSCRIBE TO OUR CHANNEL☑️🌹🌹 در کانال ما مشترک شوید🌹🌹 We have the record of making tourism documentary in the shortest time.We made more than 1200 minutes of film in one year.We are ready to sell these videos to the world.And we are ready to cooperate with film orders in the world.We will make any videos you ordered us.The way we communicate is in the description. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia. Iranian Documentary Films(Trailer Of Our Tourism Films)- تیزر فیلمهای مستند ایران The Most Ancient Land depicts the journey of a filmmaker who, as a human being living on earth, looks for the most ancient places in order to know better himself, and studies the history and myths of those places. Tourists, archaeologists, history fans, students of architecture, history, and cinema, in addition to the public and all people who like the wonders of the world will be the audience of the series. Iran is an old country with ancient culture and civilization and hospitable people, and many tourists would like to see and know this country which is still unknown to the tourists. Therefore, a part of the world’s geography with its traditions and attractions will be shown to the viewers. BIOGRAPHY OF PRODUCER& DIRECTOR: https://en.everybodywiki.com/Behrouz_sebt_rasoul Born in 1970 Graduated in Industrial Engineering Engineering Activity He is graduated in industrial engineering .The beginning of engineering career in Iran Khodro 1991 and the last occupation in oil and gas companies. Member of Iran Project Management Association member of iran house music member of assocciation iran filmmaker companies Art Activity Playing persian traditional music (Tar and 3tar) since 1992 Writing over 120 cultural articles for magazine Writer of 8 books for children Writer of 2 novels Scriptwriter Producer and director of the movies Date of love New weather The flight melody Nonstop life Child labor Dream Singer love Identity The hidden way Producer and director many video commercials Awards NOMINATED IN “VARESH” FEST 2012. (The Singer In Love) THE BEST FILM WINNER IN “IFIC” 2015. (Identity) NOMINATED OF BEST FILM IN “YAS” FEST 2015. (Identity) NOMINATED OF BEST DIRECTOR IN “YAS” FEST 2015. (Identity) PRECENCE IN 14th “CHENNAY” 2017 INTERNATIONAL FILM INDIA 2016 (Identity) SELECTED IN 15TH “DHAKA” 2017 FILM FESTIVAL (Identity) SELECTED IN 15th” PUNE” 2017 (INDIA)FILM FESTIVAL (Identity) SELECTED IN “IMFF” 2016 (DENMARK) (Identity) SELECTED IN “UIMF” (LONDON) 2016 (Identity) SELECTED IN HUMAN RIGHT (UKRAIN) 2016 (Identity) SELECTED IN HUMAN RIGHT (LONDON) 2017 (Identity) THE BEST FILM WINNER IN “HOLLYWOOD IFMPFF” 2016. (The Hidden Way) THE BEST DIRECTOR IN “WORLD FILM FESTIVAL” (AMERICAN) 2016 (The Hidden Way) SELECTED IN “LOS ANG LES INDIPENDED FILM FEST”. (The Hidden Way) SELECTED IN “INDIE WISE AMERICAN FEST”. (The Hidden Way) SELECTED IN “GRAND OFF” (POLAND) INTERNATIONAL FILM FEST. (The Hidden Way) SELECTED IN ASIA (CHINA) INTERNATIONAL FILM FEST. (The Hidden Way) THE BEST IN MIDDLE EAST BUSSINES “INDEPENDENT FILM PRODUCTION” 2016 (The Hidden Way) راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian Documentary Films(Trailer Of Our Tourism Films)- behrouz sebt rasoulتیزر فیلمهای مستند ایران
YouTube Video UClWt3ij54l0ot3dXnULmC5w_7vgYLtcRe7A
#behrouzsebtrasoul The kamancheh is an Iranian bowed string instrument used in Persian,Azerbaijani and Kurdish music. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine Lyra.کَمانچه یکی از سازهای موسیقی ایرانی است. این ساز علاوه بر شکم، دسته و سر، در انتهای پایینی ساز، پایه‌ای دارد که روی زمین یا زانوی نوازنده قرار می‌گیرد. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia Persian traditional music(kamancheh)-موسیقی سنتی ایرانی(کمانچه-علیرضا دریایی) select: https://en.wikipedia.org/wiki/Kamancheh The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: Kamança, Kurdish: کەمانچە ,Kemançe) is an Iranian bowed string instrument used in Persian,[1] Azerbaijani[2] and Kurdish music.[3] The kamanchech is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra.[4] The strings are played with a variable-tension bow. It is widely used in the classical music of Iran, Azerbaijan, Kurdistan, Uzbekistan and Turkmenistan with slight variations in the structure of the instrument.[5] In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists.[6] علیرضا دریایی پس از آن به توصیه و تشویق ناصر ایزدی نزد اردشیر کامکار فراگیری کمانچه را از سال ۸۴ شروع کرد. از سال ۱۳۸۲ با گروه‌هایی نظیر نوروز (ارشد طهماسبی)، خورشید (مجید درخشانی)، ارکستر سیمرغ (حمید متبسم، محمدرضا درویشی، هومن خلعتبری، همایون شجریان)، اشتیاق (علی‌اصغر عربشاهی، علیرضا قربانی)، آبیدر (بهرام ساعد)، راز و نیاز (سالار عقیلی)، برف‌خوانی (علی قمصری)، مهر (ناصر ایزدی)، فوژان (حمیدرضا دیبازر)، وغیره همکاری داشته است. دریایی همچنین در آلبوم‌هایی چون “عاشق می‌شویم” (پیمان سلطانی، سالار عقیلی)، “لحظه‌ ناب” (مجید درخشانی)، “یار مست” (مجید مولانیا، سالار عقیلی)، “راپسودی بختیاری” (پیمان سلطانی)، “ویر” (ارژنگ سیفی‌زاده، شادروان مسعود بختیاری)، “بهانه‌ تو” (ناصر ایزدی، مهدی فلاح)، “گفت و شنید” (پیمان سلطانی)، “خروش” (مجید درخشانی، مجتبی عسگری)، “سراسر مه” (آرش کامور، محمد معتمدی)، “سیمرغ” (حمید متبسم، همایون شجریان)، “میِ جان” (علیرضا شاه‌محمدی)، “در آتش مشتاقی” (عیسی غفاری، وحید تاج)، “عارفِ شیدا” (پویان بیگلر، صدیق تعریف)، “همنشین درد” (آرش فلاح، علی زند وکیلی)، “به یاد کاروان” (علیرضا جواهری)، “بوی مهر” (سیاوش آریامنش، سینا سرلک)، “طعم تصنیف، به یاد استاد فرامرز پایور” (شادروان بهرام سارنگ)، “خیام و مینیمال” (پوریا شیوافرد)، “توفان روزگار”، “باغ برهنه”، “سرزمین مهربانی”، و غیره همکاری داشته است. select: https://en.wikipedia.org/wiki/Persian_traditional_music Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music(Dastgah) [1][2][3] refers to the classical music of Iran (also known as Persia). It consists of characteristics developed through the country's classical, medieval, and contemporary eras.[4] Due to the exchange of musical science throughout history, many of Iran's classical melodies (modes) and modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, the parameters of Iran's classical music have also been incorporated into folk and pop music compositions.[4] Indigenous Iranian musical instruments used in the traditional music include string instruments such as the chang (harp), qanun, santur, rud (oud, barbat), tar, dotar, setar, tanbur, and kamanche, wind instruments such as the sorna (zurna, karna), ney, and neyanban, and percussion instruments such as the tompak, kus, daf (dayere), naqare, and dohol.[citation needed] Some instruments, such as the sorna, neyanban, dohol, and naqare, are usually not used in the classical repertoire, but are used in the folk music. Up until the middle of the Safavid Empire, the chang was an important part of Iranian music. It was then replaced by the qanun (zither), and later by the western piano. The tar functions as the primary string instrument in a performance. The setar is especially common among Sufi musicians. The western violin is also used, with an alternative tuning preferred by Iranian musicians. The ghaychak, that is a type of fiddle, is being re-introduced to the classical music after many years of exclusion. راه ارتباطی با علیرضا دریایی: https://www.instagram.com/alireza.daryaei_ راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Persian traditional music(kamancheh)-موسیقی سنتی ایرانی(کمانچه-علیرضا دریایی)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_F1XywTAdk2Q
#behrouz sebt rasoul The story of the life of an old man with his mythical instrument. The master broke his rifle, pierced the barrel of the rifle, made a shirt for the barrel of the rifle and now it was already made, when it played with it, the sound of the instrument surrounded the space with gunpowder, saying that this is a message of environmental peace. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia Iranian folk music-Professional iranian musician (World music) - نوازندگان ایران (علیدوست فلاحتی) select: https://translate.google.com/translate?hl=en&sl=fa&u=https://kurdpress.com/details.aspx%3Fid%3D101655&prev=search&pto=aue The story of the life of an old man with his mythical instrument. داستان زندگی خنیاگر پیر با ساز اساطیریش The master broke his rifle, pierced the barrel of the rifle, made a shirt for the barrel of the rifle and now it was already made, when it played with it, the sound of the instrument surrounded the space with gunpowder, saying that this is a message of environmental peace.. سرویس ایران -استاد تفنگش را شکست، لوله تفنگ را سوراخ کرد، قمیشی برای لوله تفنگ ساخت و حالا دیگر ساز شده بود،وقتی با آن می نواخت صدای ساز همراه با باروت فضا را محاصره می‌کرد، گفت این پیام صلح زیست محیطی است He has more than 50 years of experience in music and playing the dozele instrument. He was born in Ilam and belongs to the "De Vala" tribe. From the very beginning, after preparing the dozele, Falahati practiced and played that song wherever you heard the sound of the dozele, and repeated the song many times until he learned it completely. He is still learning Dozel and believes he still needs to learn. همشهری‌آنلاین: او که بیش از ۵۰ سال در موسیقی و نواختن ساز دوزله سابقه دارد، متولد شهر ایلام و از طایفه «دی والای» است The artist, who is a retired environmental worker, has been selected in many festivals, including the second music festival in the west of the country, the Kurdish music festival, the cultural-artistic festival of the working community, the national festival "Sornava", the music festival of mirrored areas, etc. And has been praised. In Ilam, there are few people who have not heard his instrument and do not know him. However, he was less well known outside of Ilam province until he was introduced to the music community by making a documentary about Falahati by the province's documentary filmmaker Milad Shomali. News ID 478225 Tags Biography Magazine of Regional and Official Music Figures Travel Magazine to Ilam Province . این هنرمند که کارمند ‌بازنشسته محیط زیست است، در جشنواره‌های‌ بسیاری از جمله دومین جشنواره موسیقی غرب کشور، جشنواره موسیقی کردی، جشنواره فرهنگی-هنری جامعه کار و تلاش کشور، جشنواره ملی «سُرناوا»، جشنواره موسیقی نواحی آینه دار و... برگزیده و تحسین شده‌است Alidoust Falahati was born in Ilam in 1310. He has been a retired employee of the environmental organization for over 50 years. "When I was a young child at a celebration, I heard the sound of duszel and I became interested in it, wherever the sound of duszel came, I would go there to maybe learn how to play it."[۱] he is the oldest musician in the present regions of Iran. علیدوست فلاحتی در سال ۱۳۱۰ در ایلام متولد شد. او کارمند بازنشسته سازمان محیط زیست می‌باشد و بیش از ۵۰ سال است که به نوازندگی «دوزله» همت گماشته‌است. او دربارهٔ چگونگی آشنایی خود با ساز دوزله این چنین می‌گوید: «هنگامی که کودک خردسالی بودم در مراسم جشنی صدای دوزله را شنیدم و به آن علاقه‌مند شدم هر جا که صدای دوزله می‌آمد به آنجا می‌رفتم تا شاید روش نواختن آن را بیاموزم.»[۱] وی کهنسال‌ترین نوازنده موسیقی نواحی حال حاضر ایران است. Honors Fourth national anthem festival and revolutionary songs The second best music festival in the West Kurdish music festival Chosen festival of cultural and artistic Society of work and effort The ninety-eighth program in the lovers ' jirga Cum at serenava national festival Cum in the Islamic Revolution Art Week Cum on the eleventh Iranian Music Festival The winner of the third statue of the mirror zone music festival افتخارات برگزیده چهارمین جشنواره سراسری سرود و آهنگ‌های انقلابی برگزیده دومین جشنواره موسیقی منطقه غرب کشور برگزیده جشنواره موسیقی کردی برگزیده جشنواره فرهنگی هنری جامعه کار و تلاش کشور برگزیده نود و یکمین برنامه در جرگه عشاق تقدیر در جشنواره ملی «سُرناوا» تقدیر در هفته هنر انقلاب اسلامی تقدیر در یازدهمین جشنواره موسیقی نواحی ایران برنده تندیس سومین فستیوال موسیقی نواحی آینه دار cast: director assistant: shahram vosough hejazi editor by you tube: kimia sebt rasoul راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian folk music-Professional iranian musician (World music) - نوازندگان ایران (علیدوست فلاحتی)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_pUKLiy-2znA
#behrouzsebtrasoul --(استاد پرویز عبداللهی) (Coronation is a qabumi that is commonly played in weddings and field celebrations. It is made of reed, but it is narrower and shorter than the instrument of traditional music or Laleh Va. قرنه سازی است قبومی که به طور معمول در محافل عروسی و جشن های میدانی نواخته می شود. جنس آن از نی است ولی باریکتر و کوتاه تر از ساز نی موسیقی سنتی یا لـله وا است. در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia Iranian folk music (strong music) - نوازندگان محلی ایران (مازندران) select https://translate.google.com/translate?hl=en&sl=fa&u=https://seeiran.ir/%25D8%25B3%25D8%25A7%25D8%25B2-%25D9%2582%25D8%25B1%25D9%2586%25D9%2587/&prev=search&pto=aue Coronation is a qabumi that is commonly played in weddings and field celebrations. It is made of reed, but it is narrower and shorter than the instrument of traditional music or Laleh Va. The Qara instrument consists of three parts: the head, the body and the horn of the detar (dotar). Qarneh instrument is considered as a local instrument of Mazandaran province. قرنه سازی است قبومی که به طور معمول در محافل عروسی و جشن های میدانی نواخته می شود. جنس آن از نی است ولی باریکتر و کوتاه تر از ساز نی موسیقی سنتی یا لـله وا است. ساز قره از سه قسمت تشکیل شده است: سری، بدنه و شاخ دتار(دوتار). ساز قرنه به عنوان ساز محلی استان مازندران محسوب می شود. One of the instruments that has the color and smell of Mazandaran is Qarneh. This instrument can be seen in some ancient pictures and inscriptions. Over the years, this instrument has been known as Lotfollah Seifi Beshli, and one of his students has made great efforts to complete and eliminate the shortcomings of the century. This tasteful and masterful artist is Parviz Abdollahi. Parviz Abdollahi Valik Chali was born in 1975. In 1985, he started Allah Va with his father, he learned some time from Hamid Reza Talebi. In 1374, he learned the century from Lotfollah Seifi. Abdullahi added a note to Qarna to increase the volume. He also composed music that plays some pieces of Iranian instruments. Abdollahi is active in many central groups and has played music in several albums. Se Cheki is an independent work by Parviz Abdollahi and Lotfollah Seifi. In recent years, Parviz Abdollahi and his artist wife Goldasteh Zare have been performing with the Cotton dessert instrument. یکی از سازهای که رنگ و بوی مازندران دارد قرنه است. این ساز در بعضی از تصاویر و کتیبه های کهن دیده می شود. این سالها این ساز به اسم لطف الله سیفی بشلی شناخته می شود واینکه یکی از هنرجویانش در تکمیل نمودن و رفع ایرادات قرنه تلاش زیادی داشته است. این هنرمند خوش ذوق وچیره دست پرویز عبدالهی است. پرویز عبدالهی ولیک چالی متولد ۱۳۵۴ است. سال ۱۳۶۴ لله وا را نزد پدر آغاز کرد، مدتی را از حمید رضا طالبی وا آموخت. سال ۱۳۷۴از لطف الله سیفی قرنه آموخت . عبدالهی ، یک نت به قرنه اضافه کرد تا وسعت صدایی بیشتر پیدا کند. همچنین قرنه هایی ساخت که بعضی از قطعات دستگاه های ایرانی را می نوازد عبدالهی در بسیاری از گروه های مرکزی فعالیت دارد و در چندین آلبوم موسیقی نواخت. سه چکی اثری مستقل از پرویز عبداللهی و لطف الله سیفی است. در سالهای اخیر پرویز عبدالهی به همراه همسر هنرمندش گلدسته زارع با ساز دسر کوتن هنرنمایی می کنند. Qarneh belongs to the family of reed wind instruments, which is very similar to the common single reed instrument in Bushehr region. The difference is that at the end, a horn made of animal horn has been added and its shirt is not exactly like a single straw shirt. As a result, its sound is slightly different from the single reed in southern Iran. قرنه از خانواده سازهای بادی قمیش دار است که شباهت زیادی به ساز نی تکی رایج در منطقه بوشهر دارد. با این تفاوت که در انتهای آن، شیپوره ای از جنس شاخ حیوان اضافه کرده اند و قمیش آن نیز دقیقاً مانند قمیش نی تکی نیست. در نتیجه صدایش کمی با نی تکی جنوب ایران متفاوت است. این ساز منحصراً در شادمانی های مردم مازندران واقع در شمال ایران به همراه ساز کوبه ای دوسرکوتن نواخته می شود. camera man&director assistant: shahram vosogh hejazi editor: kimia sebt rasoul راه ارتباطی با استاد پرویز عبدالهی: https://www.instagram.com/abdolahiparviz822020 راه های ارتباطی با ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian folk music (strong music) - نوازندگان محلی ایران (مازندران)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_f8ro-LpEtNU
#behrouzsebtrasoul Making a documentary about the oldest musical instrument in the world andInterview with Master Saifullah Shokri, Musician and Instrument Maker.This musical instrument belongs to 1400 BC .فیلم مستندی از بهروز سبط رسول در بارۀ احیای ساز ارجان توسط استاد سیف الله شکری در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia oldest musical instrument in the world-Persian traditional musicاحیا کننده سازارجان(استاد سیف الله شکری) selecte: https://translate.google.com/translate?hl=en&sl=fa&u=https://www.iranboom.ir/honar/45-honar/10072-negahi-dobare-be-saz-haye-irani.html&prev=search&pto=aue Saifullah Shokri" was born in 1975 in the city of Qazvin. It was not until he was 17 years old that he began making musical instruments with extensive studies to scientifically make contemporary instruments. With this background, in 1999, he started his research for making ancient instruments and to speed up this work, he established the first workshop for making musical instruments in Qazvin province and the following year, the first scientific classes for making instruments in the Handicrafts Organization of the country in This province was established. In the early half of the 1980s, Shukri was able to scientifically make reed making and then to conduct research in the field of structural science and to make the stages of making tambourine and sethar instruments scientific. He also designed the engineering plan of "Tar" and invented the instrument "Hashtar" and registered it in the country and was able to use up to 6000 pieces in special construction by using mosaic art. In the second half of the 1980s, Shukri built the oldest "harp" in Iran and the world, with a history of 6,000 years, and "Barbat" in Mesopotamia, with a history of 4,700 years, at the behest of the United Nations. He then reconstructed Changi from Qazvin, which dates from the ninth lunar century, to the province's anthropological museum. Shukri later invented the instrument "Soroush". In November 2010, the President and the Cabinet unveiled the national instrument "carpet", which was inspired by Master Shokri from the carpet. In the last two years, Shukri has been able to design and build the first wire-making machine in Iran, as well as the 3000-year-old "harp" of Ilam civilization, "Barbat" Arjan Cup (1000 BC), "Barbat" Elamite (1000 BC). Reconstruct the Parthian "Lear" and the 3000-year-old "reed" of Khuzestan and invent the instruments of "Negareh" and "9 octaves". One of the latest achievements of Master Shokri is the inclusion of "Ancient Iran" in the list of intangible human heritage of Iran and sending it by the "Cultural Heritage, Handicrafts and Tourism Organization" to UNESCO to record the preservation of the best practices in the restoration of obsolete arts, and finally He mentioned the "song of the command of Cyrus the Great" and its performance at the return ceremony of the charter of Cyrus the Great with the instruments reconstructed by him. Professor Saifullah Shukri rarely talks to the media and prefers his secluded corner of his workshop, which is an old reservoir in the ancient city of Qazvin, to any fuss. You can talk to him day and night about the history of music and its instruments; Benefited from his boundless knowledge; Without bothering or repeating his words. Shukri believes that "man achieves himself through his knowledge." He considers the problem of humanity to be the lack of knowledge and awareness of reason and says: "We are all teachers or we know or we do not know; "We are learning to learn." «سیف‌الله شکری» به سال 1354 خورشیدی در شهر قزوین زاده شد. 17 سال بیش نداشت که ساخت ادوات موسیقی را با مطالعاتی گسترده برای علمی ‌کردن ساخت سازهای معاصر آغاز کرد. با این پیش‌زمینه، در سال 1378 پژوهش‌هایش را برای ساخت سازهای باستانی شروع کرد و برای سرعت‌ بخشیدن به این کار، نخستین کارگاه ساخت ادوات موسیقی را در استان قزوین پایه‌گذاری کرد و سال بعد، نخستین کلاس‌های علمی ساخت ساز را در سازمان صنایع دستی کشور در این استان برپا داشت. شکری در نیمه‌ی آغازین دهه‌ی 80 توانست ساخت ساز نی را علمی کند و سپس به پژوهش در زمینه‌ی ساختارشناسی و علمی‌ کردن مراحل ساخت سازهای تنبور و سه‌تار دست یازد. وی هم‌چنین نقشه مهندسی ساز «تار» را طراحی و ساز «هشت تار» را ابداع و ثبت کشوری کرد و توانست با بهره از هنر معرق تا 6000 قطعه را در ساخت سازی ویژه به کار گیرد. راه ارتباطی با استاد سیف الله شکری: https://www.instagram.com/seifollahshokri/ راه ارتباطی ما: Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Oldest musical instrument in the world-Persian traditional musicاحیا کننده ساز ارجان(سیف الله شکری)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_rnjA3gznAwU
#BEHROUZSEBTRASOUL Iranian folk music refers to the folk music transmitted through generations among the people of Iran, often consisting of tunes that exist in numerous variants. IRANIAN FOLK MUSIC (MAZANDRAN) موسیقی نواحی ایران (مازندران) Iranian folk music (strong music) - موسیقی محلی (مازندرانی) در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia نوازندۀ دوتار: #محمدرضا_اسحاقی_گرجی selected : https://en.wikipedia.org/wiki/Iranian_folk_music The variance of the folk music of Iran has often been stressed, in accordance to the cultural diversity of the country's ethnic and regional groups.[1] Musical influences from Iran, such as the ancient folkloric chants for group dances and spells directed at natural elements and cataclysms, have also been observed in the Caucasus.[2] Iran's folk, ceremonial, and popular songs might be considered "vernacular", in the sense that they are known and appreciated by a major part of the society, as opposed to the country's art music, which belongs for the most part to the intellectuals.[1] Iranian folk musicians usually learn their art from their families. There are several types of traditional specialists of folk music in Iran, some of whom belong to specific ethnic and regional groups. Professional folk instrumentalists and vocalists (motreb) perform at formal ceremonial events such as weddings. Storytellers (naqqāl; gōsān) would recite epic poetry, such as that of Iran's long epic poem of Šāhnāme, using traditional melodic forms that are interspersed with spoken commentary, which is a practice found also in Central Asian and Balkan musical traditions. The Bakshi (baxši), wandering minstrels who play the dotar, entertain their audiences at social gatherings with romantic ballads about warriors and warlords. There are also lament singers (rows-xān), who recite verses that would commemorate the martyrdom of religious figures. Folkloric items, such as folk-tales, riddles, songs, and everyday-life narratives, were collected through the discovery and translation of the Avesta, which is a collection of ancient Iranian religious texts.[3] In classical Iran, minstrels (gōsān; huniyāgar) had a prominent role in the society.[4] They performed for their audiences at royal courts[5] and in public theaters.[4] Ancient Greek historian Plutarch, in his Life of Crassus (32.3), reports that they praised their national heroes and ridiculed their Roman rivals. Likewise, Strabo's Geographica reports that the Parthian youth were taught songs about "the deeds both of the gods and of the noblest men".[6] Ruhowzi, a musical comedy in Iran's traditional theater, involves loose paraphrases of stories from Iranian folklore and classical literature that are already known to the audience. The stories contain funny remarks that are improvised and indicate social and cultural concepts. Traditionally, ruhowzi was performed on stages made of boards that were covered with rugs and were put on a small pool (howz) in the courtyard.[12] Musical instruments of various sorts are used in Iran's traditional music, some of which belong to specific groups. Three types of instruments are common to all parts of the country, namely sorna (karnay, zurna), ney (flute), and a doubleheader drum called dohol.[citation needed] The modal concepts in Iranian folk music are linked to those of the country's classical music. Many of Iran's folk songs have the potential of being adapted into major or minor tonalities,[7] and Iranian singers of both classical and folk music may improvise the lyric and the melody within the appropriate musical mode.[8] Experiments and influences from Iran's folk music have been incorporated into the musical appearance of tasnif, that is a type of vocal composition in Iranian classical music.[9] Composers of the late 19th and early 20th centuries used the folk music of their native countries as a source of inspiration for their compositions. Iranian folk songs were incorporated into musical compositions that were produced within the parameters of classical Iranian modes, combined with western musical harmonies.[7] Elements deriving from Iran's folk and classical music have been combined and used also in the pop music.[1] موسیقی نواحی گونه‌ای از موسیقی است که به نغمه‌ها و سازها و نواهای مناطق و نواحی ایران نظر دارد. از زمانی که مطالعات و پژوهش‌ها دربارهٔ موسیقی نواحی انجام شده نام‌هایی چون موسیقی محلی و فولکلور و اقوام و مقامی هم به این‌گونه موسیقایی نسبت داده شده‌اند. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian folk music (strong music) - موسیقی محلی (مازندرانی)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_kYaGyGpRv6I
#BEHROUZSEBTRASOUL Mazandaran Province, is an Iranian province located along the southern coast of the Caspian Sea and in the adjacent Central Alborz mountain range, in central-northern Iran.マーザンダラーン州はアケメネス朝ではヒュルカニア（英語版）地方（サトラップ）の一部であった در کانال ما مشترک شوید/Professionaltourist/ Adventurousmen/Wonderland/ साहसी पुरुषों Mirabili/Ţara Minunilor/वंडरलैंड/Страна чудес/不思議の国/仙境/بلاد العجائب/Diyar/El país de las maravillas/Χώρα των θαυμάτων/Кишвар wonderland/Möcüzələr ölkəsi/Bota e çudirave/ ওয়ান্ডারল্যান্ড IRANIAN LIFESTYLE: Travel to iran(mazandaran)Iran - پشت صحنه فیلم مستند ایران(مازندران) editor:#kimiasebtrasoul selected: https://en.wikipedia.org/wiki/Mazandaran_Province Mazandaran Province is one of the most densely populated provinces in Iran[7] and has diverse natural resources, notably large reservoirs of oil and natural gas.[8] The province's four largest counties are Sari, Amol, Nur, and Tonekabon.[9] It was founded in 1937.[10] SELECT: https://ja.wikipedia.org/wiki/%E3%83%9E%E3%83%BC%E3%82%B6%E3%83%B3%E3%83%80%E3%83%A9%E3%83%BC%E3%83%B3%E5%B7%9E マーザンダラーン州はアケメネス朝ではヒュルカニア（英語版）地方（サトラップ）の一部であった。 マーザンダラーンには、その気候条件の制約から考古学遺跡などがあまり残されておらず、海岸平野部には保存状態の良い前イスラーム期の遺跡は全くない。 しかしながら、州内で早い時期から人々が暮らしていたことが知られており、歴史のはじめより、マザーンダラーンはさまざまな王朝の統治下に移り変わっていった。 第3代正統カリフ、ウスマーン・イブン・アッファーンの651年、クーファ総督サアド・イブン・アビー・ワッカース（英語版）によってタバリスターンの海岸部が、はじめてイスラーム勢力に征服された。 しかし、以降約100年間タバリスターンのダブワイド朝（英語版、フランス語版）（642年-760年）は、一時的にアッバース朝下に入ったこともあるが、7世紀初にサーサーン朝に代わったウマイヤ朝からの独立を保った。アリー家子孫のザイド派のアリー朝（864年-928年）のもとに分離、のち南東のサッファール朝下に入る。さらにその一世紀後にはズィヤール朝が同様にこの地域から勃興している。 アッバース朝カリフ、アブー・ジャアファル・アル・マンスールの時代にはタバリスターンで叛乱が相次ぎ、最終的には783年にカーレーン氏族（英語版）のヴァンダード・ホルモズ（Vandad Hormoz）が独立王朝バーワンド朝（英語版、フランス語版）（8世紀-1349年）を建設した。1034年、ガズナ朝のスルターン・マフムード・ガズナヴィーがゴルガーンを経てマザーンダラーンに入った。11世紀中にイスラム教シーア派のイスマーイール派・ニザール派のハサン・サッバーフの影響が広がり、アラムート城砦（英語版）を中心にいわゆる「暗殺教団」の城砦が多く造られた。これに続き1209年にはホラズム・シャー朝のスルターン・ムハンマドの侵攻があった。 その後はモンゴル帝国のイルハン朝、ティムール朝の支配を経た。 タバリスターンの地方政権の崩壊後、1596年、マーザンダラーンはサファヴィー朝のシャー・アッバース1世によって帝国領内に取り込まれることになった。アフシャール朝のナーディル・シャーの統治下、この地域はロシア帝国への前線となった。 1930年代に東洋学者で旅行家のフレヤ・スタークがこの地域を踏査している。 近年までゴルガーンはマザーンダラーン州の一部地域をさしたが、1997年にゴレスターン州がマーザンダラーン州より分割され、その州都となった。 Mazandaran is a major producer of farmed fish,[14] and aquaculture provides an important economic addition to the traditional dominance of agriculture. Mazandaran is a Caspian province in the north of Iran.[22] Located on the southern coast of the Caspian Sea, it is bordered clockwise by Russia (across the sea), Golestan, Semnan, Tehran, Alborz, Qazvin, and Gilan provinces. Sari is the largest city and the capital of Mazandaran province. Mazandaran Province was made part of the First Region upon the division of the provinces into five regions solely for coordination and development purposes on June 22, 2014.[1] استان مازَندَران (به مازندرانی: مازِرون یا مازِندِرون) دربارهٔ این پرونده تلفظ راهنما·اطلاعات به مرکزیت شهر ساری در شمال ایران و در کرانه‌های جنوبی دریای مازندران می‌باشد و هم‌مرز با استان‌های گلستان، سمنان، تهران، البرز، قزوین و گیلان است.[۳] این استان یکی از پرجمعیت‌ترین مناطق ایران از لحاظ تراکم جمعیتی است. استان مازندران دارای ۲۲ شهرستان می‌باشد. مازندران پر افتخارترین استان ایران در بازی‌های المپیک است.[۴][۵] قله دماوند مرتفع‌ترین کوه ایران و بلندترین آتشفشان آسیا و خاورمیانه در مازندران و در شهرستان آمل قرار دارد. مازندران از وسعتی معادل ۱٫۴۶ درصد ایران برخوردار است؛ قرار گرفتن آن در ساحل جنوبی بزرگترین دریاچه جهان به نام دریای مازندران (خزر) و همجواری با چهار کشور ساحلی این دریا یعنی ترکمنستان، قزاقستان، روسیه و جمهوری آذربایجان از یک سو و واقع شدن در شمال کلان‌شهر تهران (پایتخت ایران) از سوی دیگر است. امتیاز حمل و نقل دریایی با کشورهای همسایه از طریق منطقه ویژه اقتصادی بنادر امیرآباد، فریدون‌کنار و بندر نوشهر و اسکله و سکوی نفتی نکا در شرق مازندران، اتصال آن به راه‌آهن سراسری ایران، وجود فرودگاه‌های بین‌المللی ساری، نوشهر و رامسر، برخورداری از سه جاده شوسه ارتباطی با استان تهران، و اقدام به سرمایه‌گذاری در طرح در دست ساخت آزادراه تهران - شمال با امکان دسترسی سریع با فاصله کوتاه ۱۲۱ کیلومتر ارتباط تهران ـ مازندران، عبور خطوط بین‌المللی فیبر نوری، شبکه ارتباطی در مسیر کریدور بین‌المللی شمال ـ جنوب از هلسینکی (فنلاند)، به بندر لاوان (روسیه) تا ساحل دریای خزر فراهم آورده‌است و همچنین دو جاده بین‌المللی هراز و سوادکوه در این استان است. مطالعات باستان‌شناسی در غارهای کمربند و هوتو دزیست انسانی در مازندران را به حدود ۹۵۰۰ پیش از میلاد می‌رساند. مازندران کنونی بخشی از سرزمین گسترده‌تری است که در متون تاریخ از آن با نام فراشوراگر و پتیسخوارگر یاد کرده‌اند.[۶] Subscribe Now! https://www.youtube.com/channel/UClWt... Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook: https://www.facebook.com/behrouz.sebtrasoul My Instagram:https://www.instagram.com/sebtrasoulbehrouz https://www.instagram.com/kimiaartworks
IRANIAN LIFESTYLE: Travel to iran(mazandaran)Iran - پشت صحنه فیلم مستند ایران(مازندران)
YouTube Video UClWt3ij54l0ot3dXnULmC5w_ajTyrkVG9MU
#behrouzsebtrasoul The strongest wrestlers in the world have been one of Iran's States called Mazandaran Province.Where's Mazandaran? Why in Mazandaran are all wrestling sports champions Iranian wrestlers(mazandaran)-مازندران پایتخت ورزش کشتی جهان در کانال ما مشترک شوید /iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia select: https://en.wikipedia.org/wiki/Mazandaran_Province Mazandaran Province (About this soundpronunciation (help·info), Persian: استان مازندران, Ostān-e Māzandarān), is an Iranian province located along the southern coast of the Caspian Sea and in the adjacent Central Alborz mountain range, in central-northern Iran.[6] Mazandaran Province is one of the most densely populated provinces in Iran[7] and has diverse natural resources, notably large reservoirs of oil and natural gas.[8] The province's four largest counties are Sari, Amol, Nur, and Tonekabon.[9] It was founded in 1937.[10] Under the pretext of the forthcoming World Freestyle Wrestling Championships in France, we intend to have a brief look at the history of the position of Mazandaran wrestlers in winning the honorable medals of our national wrestling team from 1951 to 2015. According to the Tasnim news agency from Sari, of course , a number of medalists throughout the province's wrestling history are currently Golestan due to the separation of eastern cities for Mazandaran province. Absolute majority for Mazandaran In general, in these years, our country has won 45 gold, 46 silver and 42 bronze medals. The national team of our country reached the final of the world championship 91 times, losing 46 times and winning silver and 45 times winning more than 50 gold medals. Percentage of our champions lost the gold medal in the final. In the Olympics, our national team has been a finalist 23 times in their history, winning 9 gold and 14 silver medals, among which only 9 wrestlers from our country have received more than one medal in the world championships. Among these 9 people, Abdullah Movahed, Imam Ali Habibi, Mehdi Hajizadeh, Takhti, Seifpour, Rasoul Khadem, Reza Yazdani and Mehdi Taghavi, who Abdullah Movahed, Habibi, Reza Yazdani and Mehdi Taghavi from Mazandaran, these 4 people mean more than one gold medal. They caught on the world ship. From Mazandaran, Abdollah Movahed with 5 world gold medals in freestyle wrestling and one gold medal in the Olympics, Emam Ali Habibi with 3 world gold medals and one Olympic gold medal, Reza Yazdani with 2 gold medals and Mehdi Taghavi with 2 gold medals but The single gold medals of the province in the world wrestling were Majid Torkan, Seyed Morad Mohammadi, Abbas Haji Kanari and Mehdi Hajizadeh. It must be admitted that 16 world wrestling gold medals were won by Mazandaran heroes. However, the silver medals of the Iranian national team wrestlers were 46 medals, including the late Ramazan Khedr, Asgari Mohammadian, Majid Torkan, Abbas Haji Kanari, Babak Nourzad, Ezatollah Akbari, Reza Sokhtehsarai with two silver medals, Seyed Ahmad Mohammadian with two silver medals, Masoud Ismailpour, Kamil Ghasemi won silver and Hassan Yazdani won silver, but bronze medals went to Owais Mallah, Majid Turkan, Seyed Morad Mohammadi, Reza Yazdani, Masoud Ismailpour, Mohammad Hossein Mohammadian and Seyed Ahmad Mohammadi. One of the interesting points regarding the results of the finalists of Mazandaran wrestling in the world championship, Abdullah Movahed became a finalist 5 times who won the world championship 5 times in a row and no freestyle wrestling achieved this record and Imam Ali Habibi also 3 He became a finalist and won the championship all three times. Mehdi Taghavi became a finalist twice, both of whom were champions and Reza Yazdani was in the same situation. On the other hand, Abbas Haji Kenari and Majid Torkan reached the finals twice, becoming first and second, and Reza Sokhtehsarai lost the gold medal in both finals and settled for silver. Meanwhile, Ramazan Khedr, Massoud Ismailpour, Babak Nourzad, Ezatullah Akbari, Kamil Ghasemi, Asgari Mohammadian, Hassan Yazdani and Seyed Ahmad Mohammadi were once finalists who lost the gold medal to their opponents. Interestingly, among the wrestlers of the national team, 29 are single wrestling gold medals, among which Seyed Morad Mohammadi, Majid Turkan, Abbas Haji Kanari, Mehdi Hajizadeh are 4 heroes of Mazandaran. 1959 Tehran Emam Ali Habibi Mazandaran Gold in the weight of 73 kg in which Iran won two medals by Habibi and Takhti. The Mazanis played an excellent role in Iran's top medals in the world. and els....... .
Iranian wrestlers(mazandaran)-مازندران پایتخت ورزش کشتی جهان
YouTube Video UClWt3ij54l0ot3dXnULmC5w_Nye2eXZp5RE
#BEHROUZSEBTRASOUL #folk_music Iranian folk music refers to the folk music transmitted through generations among the people of Iran, often consisting of tunes that exist in numerous variants. در کانال ما مشترک شوید /iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia #رحیم_رضائی Iranian folk music (strong music) - موسیقی محلی ایرانی (نوایی نوایی) selected : https://en.wikipedia.org/wiki/Iranian_folk_music The variance of the folk music of Iran has often been stressed, in accordance to the cultural diversity of the country's ethnic and regional groups.[1] Musical influences from Iran, such as the ancient folkloric chants for group dances and spells directed at natural elements and cataclysms, have also been observed in the Caucasus.[2] Iran's folk, ceremonial, and popular songs might be considered "vernacular", in the sense that they are known and appreciated by a major part of the society, as opposed to the country's art music, which belongs for the most part to the intellectuals.[1] Iranian folk musicians usually learn their art from their families. There are several types of traditional specialists of folk music in Iran, some of whom belong to specific ethnic and regional groups. Professional folk instrumentalists and vocalists (motreb) perform at formal ceremonial events such as weddings. Storytellers (naqqāl; gōsān) would recite epic poetry, such as that of Iran's long epic poem of Šāhnāme, using traditional melodic forms that are interspersed with spoken commentary, which is a practice found also in Central Asian and Balkan musical traditions. The bakshy (baxši), wandering minstrels who play the dotar, entertain their audiences at social gatherings with romantic ballads about warriors and warlords. There are also lament singers (rowze-xān), who recite verses that would commemorate the martyrdom of religious figures. Folkloric items, such as folk-tales, riddles, songs, and everyday-life narratives, were collected through the discovery and translation of the Avesta, which is a collection of ancient Iranian religious texts.[3] In classical Iran, minstrels (gōsān; huniyāgar) had a prominent role in the society.[4] They performed for their audiences at royal courts[5] and in public theaters.[4] Ancient Greek historian Plutarch, in his Life of Crassus (32.3), reports that they praised their national heroes and ridiculed their Roman rivals. Likewise, Strabo's Geographica reports that the Parthian youth were taught songs about "the deeds both of the gods and of the noblest men".[6] Ruhowzi, a musical comedy in Iran's traditional theater, involves loose paraphrases of stories from Iranian folklore and classical literature that are already known to the audience. The stories contain funny remarks that are improvised and indicate social and cultural concepts. Traditionally, ruhowzi was performed on stages made of boards that were covered with rugs and were put on a small pool (howz) in the courtyard.[12] Musical instruments of various sorts are used in Iran's traditional music, some of which belong to specific groups. Three types of instruments are common to all parts of the country, namely sorna (karnay, zurna), ney (flute), and a doubleheader drum called dohol.[citation needed] The modal concepts in Iranian folk music are linked to those of the country's classical music. Many of Iran's folk songs have the potential of being adapted into major or minor tonalities,[7] and Iranian singers of both classical and folk music may improvise the lyric and the melody within the appropriate musical mode.[8] Experiments and influences from Iran's folk music have been incorporated into the musical appearance of tasnif, that is a type of vocal composition in Iranian classical music.[9] Composers of the late 19th and early 20th centuries used the folk music of their native countries as a source of inspiration for their compositions. Iranian folk songs were incorporated into musical compositions that were produced within the parameters of classical Iranian modes, combined with western musical harmonies.[7] Elements deriving from Iran's folk and classical music have been combined and used also in the pop music.[1] Iranian folk music is categorized in various themes, and includes historical, social, religious, and nostalgic contexts. موسیقی نواحی گونه‌ای از موسیقی است که به نغمه‌ها و سازها و نواهای مناطق و نواحی ایران نظر دارد. از زمانی که مطالعات و پژوهش‌ها دربارهٔ موسیقی نواحی انجام شده نام‌هایی چون موسیقی محلی و فولکلور و اقوام و مقامی هم به این‌گونه موسیقایی نسبت داده شده‌اند. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
Iranian folk music (strong music) - موسیقی محلی ایرانی (نوایی نوایی)
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#behrouzsebtrasoul Saluk National Park is located in the northwest of Esfarayen in North Khorasan province and has a favorable diversity of plant and animal species. This protected area, after identification and introduction, according to Resolution on 1980, the High Council for Environmental Protection will be introduced as Saluk Protected Area, and in 1978, Saluk Safe Area was selected.. Asia wildlife documentary (making a documentary) - مستند حیات وحش(خراسان شمالی) in 1978, Saluk Safe Area was selected, and after 13 years of closure and Complete protection of the region, which caused its natural growth and richness, was upgraded to a national park in 2002 due to its ecologically valuable features, and is currently under the control and management of the same name. Saluk is located in the northwest of Esfarayen and in this area there are valleys of Zari, Jozi and four towers of scattered forests. The valley in Saluk with a length of about 15 km has 15 permanent springs in the form of streams. This area is home to many birds and animals such as deer, rams, ewes, and plant attractions such as wild pears and plums, barberry, sorghum, basil, hawthorn, wild star anise, maple, turmeric, figs and walnuts. The cave in front of the castle is located in Saluk area and because it is located in the wall of the rock, entering this place requires tools and equipment. And they believe that there are many ancient monuments in this cave. The predominant plant type in this area includes Artemisia , Astragalus and various grasses Industrial and medicinal plants In this area plants galbanum , caraway , thyme , hypericum and Ziziphora found that industrial or medicinal value. Vegetation Vegetation juniper , barberry , ephedra , wild tomato , Artemisia , astragalus , hawthorn , wild rose wild and acantholimon. mammals Regional mammals include deer , wolves , rams and ewes L'Oreal , goats , leopards , hyena , fox , wild boar , wild boar , jackal , porcupine , hare , otter , ground squirrels and badgers . [3] birds The birds of the area are: Cocker , Chuck , Quebec , Tihu , Cockroach , Cesc and owl select: https://fa.wikipedia.org/wiki/پارک ملی سالوک پارک ملی سالوک در شمال غربی اسفراین در استان خراسان شمالی قرار دارد و دارای تنوع مطلوبی در گونه‌های گیاهی و جانوری می‌باشد. این منطقه حفاظت شده پس از شناسایی و معرفی به استناد مصوبه شماره ۴۸ در تاریخ ۱۳۵۲/۹/۲۰ شورای عالی حفاظت محیط زیست به عنوان منطقه حفاظت شده سالوک معرفی می‌گردد و در سال ۱۳۵۷ منطقه امن سالوک انتخاب گردید و پس از ۱۳ سال قرق و حفاظت کامل از منطقه که سبب رشد و غنای طبیعی آن گشت، در سال ۱۳۸۱ به خاطر ویژگی‌های با ارزش اکولوژیکی آن به سطح پارک ملی ارتقاء یافت و در حال حاضر نیز با همین نام تحت کنترل و مدیریت می‌باشد که وسعت پارک ملی سالوک ۸۲۳۱ هکتار و وسعت منطقه حفاظت شده سالوک ۱۱۶۷۷ هکتار می‌باشد.[۱] منطقه حفاظت شده سالوک در استان خراسان شمالی بین ۱۵/۳۷ تا ۰۷/۳۷ عرض شمالی و ۱۷/۵۷ تا ۰۳/۵۷ طول شرقی واقع شده‌است. سالوک در شمال غربی اسفراین قرار دارد و در این منطقه دره‌های زاری، جوزی و چهار برج جنگل‌های پراکنده مشهود است. دره توی سالوک با طول حدود ۱۵ کیلومتر دارای ۱۵ چشمه دایمی به صورت نهر است. این منطقه زیستگاه پرندگان و حیوانات بسیاری همچون آهو، قوچ، میش است و جاذبه‌های گیاهی مانند گلابی و آلوچه وحشی، زرشک، قره‌میغ، ریخوک، زالزالک، نسترن وحشی، افرا کرکو، گز انجیر و گردو است. دژ قدیمی معروف به قلعه سالوک یا صعلوک از بناهای است. این قلعه تاریخی در شمال منطقه حفاظت شده سالوک واقع شده و در انتهای دره زاری و بر فراز صخره‌های سخت‌گذر سالوک بنا شده‌است. وجود غارهای مهم از جمله غار پلنگ تخته نی در سالوک و غار پیش قلعه در پارک ملی و حفاظت شده سالوک از مناطقی هستند که برای گردشگری سودمندند.[۲] غار پیش قلعه در منطقه سالوک واقع بوده و بخاطر اینکه در دیواره صخره قرار دارد ورود به این مکان مستلزم وسایل و تجهیزات است و بر اساس شنیده‌ها این غار از عمق بسیار زیادی برخوردار بوده و در گذشته مردم برای پیدا کردن آثار باستانی به داخل آن می‌رفته‌اند و اعتقاد دارند که در این غار آثار باستانی فراوانی وجود دارد. وجود چشمه‌های فراوان مانند چشمه سیاه خانه، چشمه دره جوز، چشمه اردغان، چشمه سفیدارلی، چشمه بازی گربه، چشمه عرب و چشمه ترنو در اسفراین از جاذبه‌های آنست. تیپ غالب گیاهی تیپ غالب گیاهی در این منطقه شامل درمنه، گون و انواع گرامینه‌ها می‌باشد.[۱] گیاهان صنعتی و داروئی در این منطقه گیاهان باریجه، زیره سیاه، آویشن، علف چای و کاکوتی یافت می‌شود که ارزش صنعتی یا داروئی دارند[۳] پوشش گیاهی پوشش گیاهی منطقه ارس، زرشک، افدرا، گوجه وحشی، درمنه، گون، زالزالک، نسترن وحشی و کلاه میرحسن می‌باشد.[۳] پستانداران پستانداران منطقه عبارتند از: آهو، گرگ، قوچ و میش اوریال، کل و بز، پلنگ، کفتار، روباه، گراز، خوک وحشی، شغال، تشی، خرگوش، سمور، سنجاب زمینی و گورکن.[۳] پرندگان پرندگان منطقه عبارتند از: کوکر، چکاوک، کبک، تیهو، باقرقره، سسک و جغد. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook: https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz https://www.instagram.com/kimiaartworks
Asia wildlife documentary (making a documentary) - مستند حیات وحش(خراسان شمالی)
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#behrouzsebtrasoul Yazd Province (Persian: استان یزد, Ostān-e Yazd ) is one of the 31 provinces of Iran. It is in the centre of the country, and its administrative center is the city of Yazd. In 2014, it was placed in Region 5. TRAVEL TO IRAN: amazing places(Yazd)Iran - پشت صحنه فیلم مستند ایران(یزد) در کانال ما مشترک شوید/Professionaltourist/ Adventurousmen/Wonderland/ साहसी पुरुषों Mirabili/Ţara Minunilor/वंडरलैंड/Страна чудес/不思議の国/仙境/بلاد العجائب/Diyar/El país de las maravillas/Χώρα των θαυμάτων/Кишвар wonderland/Möcüzələr ölkəsi/Bota e çudirave/ওয়ান্ডারল্যান্ড select: https://en.wikipedia.org/wiki/Yazd_Province The province has an area of 76,469 km², and according to the most recent divisions of the country, is divided into ten counties: Abarkuh County, Ardakan County, Bafq County, Behabad County, Khatam County, Mehriz County, Meybod County, Ashkezar County, Taft County, and Yazd County. According to the 1996 census, Yazd province had a population of about 750,769, of which 75.1% were urban residents while 24.9% resided in rural areas. At the 2011 census, its population (including Tabas County, which was transferred to South Khorasan Province) was 1,074,428, in 258,691 families; excluding Tabas County, its population (as of 2006) was 895,276, in 241,846 families.[4] Yazd (persisch استان یزد, DMG Ostān-e Yazd) ist eine der 31 iranischen Provinzen. Hauptstadt ist die gleichnamige Stadt Yazd. In der Provinz leben 1.138.533 Menschen (Volkszählung 2016).[1] Die Fläche der Provinz erstreckt sich auf 129.285 Quadratkilometer. Die Bevölkerungsdichte beträgt 8 Einwohner pro Quadratkilometer. Feuertempel in Yazd Bürgerhäuser in Yazd Windturm (Badgir) zur Luftkühlung in der Altstadt von Yazd Zoroastrischer „Turm des Schweigens“ (Dachma) am Rande von Yazd Freitagsmoschee von Yazd Moschee und Takiyya des Emirs Tschaqmaq Friedhof iranischer Gefallener des Iran-Irak-Kriegs in Yazd Taubenhaus in Meybod Zitadelle in Maybod Mausoleum von Sayyid Rukn ad-Din in Yazd Kurit-Talsperre bei Tabas Zypresse von Abarkuh Histoire Du fait de sa situation géographique avantageuse (au centre de l'Iran et entourée de déserts), Yazd a été préservée de la destruction des envahisseurs Mongols ou Arabes, au cours de l'histoire mouvementée de l'Iran. De ce fait, la province a encore gardé ses formes et son architecture traditionnelles. Cachée entre deux déserts, à perte de vue et au-delà des frontières, Yazd était, notamment lors de l'invasion de Genghis Khan début du XIIIe siècle, un asile sûr et la ville qui accueillit beaucoup d'artistes, d'intellectuels et de scientifiques qui fuyaient les ravages des invasions successives. Population La population de la province de Yazd est majoritairement Perse, dont la plupart sont des musulmans chiites. Il existe aussi une communauté Zoroastrienne considérée comme la plus nombreuse d'Iran. استان یزد یکی از استان‌های ایران به مرکزیت شهر یزد است. تاریخ و فرهنگ استان یزد از سرزمین‌های تاریخی است که در میان ایالت‌های قدیمی و بزرگ از جمله پارس، اصفهان، کرمان و خراسان قرار داشته‌است. آبادی نشینی در این منطقه از قدمت طولانی برخوردار می‌باشد. این سرزمین از گذرگاه‌های مهم در دوره‌های تاریخی محسوب می‌شده‌است. این ناحیه در دوره هخامنشیان از راه‌های معتبر موسسه‌های راهداری، مراکز پستی و چاپاری برخوردار بوده‌است. راهداری در یزد از زمان قدیم چنان اهمیتی داشت که خاندان آل مظفر از منصب راهداری ناحیه میبد به پادشاهی رسیدند. این استان از درگیری‌ها و جنگ‌های تاریخ کشور ایران تا حدودی ایمنی داشته‌است. سخت‌گذر بودن راه‌ها به همراه محدودیت منابع آبی مانع عمده تسخیر این منطقه توسط بعضی از حکومتهای بزرگ و کوچک پیرامون این منطقه در طول تاریخ بوده‌است. وجود آثاری از مهر و آناهیتا، ایساتیس و هخامنشی و زندان اسکندر و برج و بارو و کهن درهای بزرگ و عظیم و پناهگاه‌های متعدد و موبدان و سران ساسانی و ابنیه و یادگارهای بعد از اسلام نظیر مساجد و امامزاده‌ها و مزارها نشانگر فرهنگ و تمدن قبل و بعد از دوره اسلامی بوده‌است. مردم از قدیم الایام روابط تجاری و فامیلی قدرتمند با شهرهای انار و رفسنجان به دلیل تجارت پسته، با شهرهای طبس و تربت حیدریه به دلیل بودن بر سر راه یزد مشهد و با شهرهای آباده ، شهر بابک ، نیریز ، اقلید ، بوانات و جندق و شهرستان خور و بیابانک به دلیل خرید و فروش محصولات کشاورزی و مرکزیت داشتن اداری، آموزشی و سیاسی یزد در مرکز ایران وجود دارد. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks select: https://en.wikipedia.org/wiki/Bondorabad,_Yazd Bondorabad (Persian: بندراباد, also Romanized as Bondorābād, Bandarābād, and Bondarābād)[1] is a village in Rostaq Rural District, in the Central District of Saduq County, Yazd Province, Iran. At the 2006 census, its population was 738, in 213 families.
TRAVEL TO IRAN: amazing places(Yazd)Iran - پشت صحنه فیلم مستند ایران(یزد)
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#behrouzsebtrasoul Dastjerd is a village in Jarqavieh Olya Rural District, Jarqavieh Olya District, Isfahan County, Isfahan Province, Iran. At the 2006 census, its population was 1,610, in 477 families.Natural salt pans or salt flats are flat expanses of ground covered with salt and other minerals, usually shining white under the sun. They are found in deserts and are natural formations (unlike salt evaporation ponds, which are artificial). A salt pan forms by evaporation of a water pool such as a lake or pond. This happens in climates where the rate of water evaporation exceeds the rate of precipitation, that is, in a desert. If the water cannot drain into the ground, it remains on the surface until it evaporates, leaving behind minerals precipitated from the salt ions dissolved in the water. Over thousands of years, the minerals (usually salts) accumulate on the surface.[1] These minerals reflect the sun's rays (through radiation) and often appear as white areas. Salt pans can be dangerous. The crust of salt can conceal a quagmire of mud that can engulf a truck. The Qattara Depression in the eastern Sahara Desert contains many such traps which served as strategic barriers during MAKING OF A DOCUMENTARY: Behind the Scenes(Dastjerd)Iran - پشت صحنه فیلم مستند ایران(دستجرد-اصفهان) در کانال ما مشترک شوید/Professionaltourist/ Adventurousmen/Wonderland/ साहसी पुरुषों Mirabili/Ţara Minunilor/वंडरलैंड/Страна чудес/不思議の国/仙境/بلاد العجائب/Diyar/El país de las maravillas/Χώρα των θαυμάτων/Кишвар wonderland/Möcüzələr ölkəsi/Bota e çudirave/ওয়ান্ডারল্যান্ড select: https://en.wikipedia.org/wiki/Dastjerd,_Isfahan Dastjerd] is a village in Jarqavieh Olya Rural District, Jarqavieh Olya District, Isfahan County, Isfahan Province, Iran. At the 2006 census, its population was 1,610, in 477 families.[2] دستجرد یکی از روستاهای شهرستان اصفهان است. این روستا در بخش جرقویه علیا شهرستان اصفهان قرار دارد. فاصله این روستا تا شهرستان ورزنه ۳۰ کیلومتر می‌باشد.[۱] این روستا در طول جغرافیایی ۳۲ درجه و ۱۶ دقیقه شمالی و عرض جغرافیایی ۵۲ درجه و ۶۲ دقیقه شرقی واقع شده‌است. از شمال به شهر ورزنه (بن رود) از جنوب و جنوب شرق به شهر حسن‌آباد از غرب به بخش جرقویه سفلی[۲] و از شرق به روستای کمال‌آباد محدود است. فاصله این روستا تا اصفهان تقریباً ۱۱۰ کیلومتر است. نقاط زیارتی - سیاحتی امامزاده سلطان ابوسعید؛ در ورودی روستا گنبد این امامزاده قابل دیدن است. چشمه، سازمان میراث فرهنگی، صنایع دستی و گردشگری اقدام به بهینه‌سازی این چشمه به عنوان یک نقطه گردشگری کرده‌است آتشکده (مجاور چشمه) قدمگاه رضا (امام هشتم شیعیان) (مجاور چشمه) مسجد آدینه قلعه حسن خان (بازسازی شده‌است) تل ماسه‌ها (تپه‌های ماسه ای)؛ در فاصله ۳ کیلومتری دستجرد - ورزنه، اولین جاده ورودی به تل ماسه‌ها وجود دارد که ۷ کیلومتر مسیر خاکی دارد. جاده بعدی در فاصله ۱۳ کیلومتری قرار دارد که مسیر خاکی آن کمتر است. Geography The Isfahan province covers an area of approximately 107,018 square km and is situated in the center of Iran. To its north, stand the Markazi (Central) Province and the provinces of Qom and Semnan. To its south, it is bordered by the provinces of Fars, and Kohgiluyeh and Boyer-Ahmad Province. Aminabad is the most southern city of Isfahan province just 2 km north of the border. To the east, it is bordered by the province of Yazd. To the west, it is bordered by the province of Lurestan and to the southwest by the province of Chahar Mahal and Bakhtiyari. The city of Isfahan is the provincial capital; and the counties of this province are as follows: Aran va Bidgol County, Ardestan County, Isfahan County, Lenjan County, Shahin Shahr and Meymeh County, Khomeyni Shahr County, Khansar County, Semirom County, Faridan County, Fereydunshahr County, Falavarjan County, Kashan County, Golpayegan County, Mobarakeh County, Nain County, Najafabad County, Dehaqan County, Shahreza County, Borkhar County, Tiran and Karvan County, Chadegan County, Buin va Miandasht County, Khur and Biabanak County and Natanz County; 18 townships, 25 counties, 93 cities, and 2,470 villages in all. According to the census in the year 2006, the population of the province was 4,559,256 of which approximately 83.3 percent were urban residents and 16.7 percent resided in the rural areas. The literacy rate was 88.65 percent. In 2011 population of Isfahan grew up to 4,879,312. With an elevation of 4,040 metres, the Shahankuh is the highest peak in Isfahan Province. This mountain is located about 20 kilometres southwest of the city of Fereydunshahr in the western part of Isfahan Province. Isfahan province consists of 52 rivers. They are small and temporary, with the exception of the Zāyanderud, which totals 405 km in length a basin area of 27,100 km2. [6] Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
MAKING OF A DOCUMENTARY: Behind the Scenes(Dastjerd)Iran - پشت صحنه فیلم مستند ایران(دستجرد-اصفهان)
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#behrouzsebtrasoul Lavasan is an affluent town in Shemiranat County, Tehran Province, Iran. At the 2011 census, its population was 28,558, in 7,645 families.[2][3] The Jajrood River flows through Lavasan. Situated 11 kilometers northeast of Tehran, Lavasan is known for its excellent weather and the luxurious mansions. The city is home to many upper-class and wealthy families. Some Iranians call it the Beverly Hills or Switzerland of Tehran. در کانال ما مشترک شوید/Professionaltourist/ Adventurousmen/Wonderland/ साहसी पुरुषों Mirabili/Ţara Minunilor/वंडरलैंड/Страна чудес/不思議の国/仙境/بلاد العجائب/Diyar/El país de las maravillas/Χώρα των θαυμάτων/Кишвар wonderland/Möcüzələr ölkəsi/Bota e çudirave/ওয়ান্ডারল্যান্ড MAKING OF A DOCUMENTARY: Behind the Scenes(Lavasan)Iran - پشت صحنه فیلم مستند ایران(لواسان) select: https://en.wikipedia.org/wiki/Lavasan Lavasan (Persian: لواسان, also Romanized as Lavāsān) is an affluent town in Shemiranat County, Tehran Province, Iran. At the 2011 census, its population was 28,558, in 7,645 families.[2][3] The Jajrood River flows through Lavasan. Situated 11 kilometers northeast of Tehran, Lavasan is known for its excellent weather and the luxurious mansions. The city is home to many upper-class and wealthy families. Some Iranians call it the Beverly Hills or Switzerland of Tehran. The city of Lavasan is part of the Lavasanat district. Together with the Rudbar-e Qasran district, it constitutes the subprovince of Shemiran in the Tehran Province. Geography Lavasan has an area of 70 square kilometres.[5] Two most infuencial parts of Lavasan are Great Lavasan (Lavasan Bozorg) and Little Lavasan (Lavasan Koochak). While the Great Lavasan was more vibrant in the early 1950s due to its location as a trade hub, the Little Lavasan has become more populated in the past few decades. Until the construction of Road_59_(Iran) and other routs to the North of Iran, Great Lavasan was a thriving city on a trade path between Tehran and North of Iran with several promenant families owning and managing the Lar Karvansara in the (now nationalized) Lar National Park, and who were active in trades of rice and production of honey among other product, hence the name "Great Lavasan". In the ealy 1900s Great Lavasan was home to several affluent families and traders with many unique and thriving orchards. Currently Great Lavasan is less populated than the Little Lavasan due to more restricted construction regulations as well as influx of new residents moving to Little Lavasan from other cities. Great Lavasan has access from the Jajrood road while the Little Lavasan has access from the behind the Latian Dam and have different areas including Saboo Bozorg, Saboo Koochak, Tork Mahale, Seied Paiz etc. Etymology The name of Lavasan is a Middle Persian (Pahlavi) word which means "The Mount Blade of Sunrise" or "Mountaintop of Sunrise". It refers to Mount Damavand that is located in the middle Alborz Range in the east of Lavasanat District. History In the 19th century, during the Qajar era, Lavasan was reportedly a large village, with some 500 houses and about 200 inhabitants.[4] Under Mohammad Reza Pahlavi, in the 1960s, a hydroelectric dam was built in the southeast of the village.[4] People The natives of Lavasan are of Caspian origin.[4] The local dialect or "vernacular" spoken by its natives is a mix of Persian and Caspian.[4] لَواسان یکی از شهرهای شهرستان شمیرانات در استان تهران و مرکز بخش لواسانات است. در اصطلاح عامیانه به این شهر لواسون می‌گویند. لواسان درّه‌ای است ییلاقی و خوش آب و هوا در دامنه‌های جنوبی کوه‌های البرز که به خاطر داشتن چشم‌اندازهای بکر و زیبا از رودخانه جاجرود و دریاچهٔ زیبای سد لتیان شهرت یافته‌است. طبیعت سرسبز لواسان از دامنه‌های شمالی این شهر آغاز می‌شود و تا ساحل دریاچه سد لتیان ادامه دارد. در چشم‌اندازهای این منطقه می‌توان طبیعت را در چهار فصل سال به زیبایی هرچه بیشتر تماشا کرد. شهر لواسان در ۱۱ کیلومتری شمال شرق تهران قرار دارد و به عنوان نزدیک‌ترین منطقهٔ خوش آب و هوا و ییلاقی شهر تهران به‌شمار می‌آید. فاصله لواسان تا اتوبان بابایی تهران حدود ۷ کیلومتر می‌باشد که در کمتر از ۱۵ دقیقه می‌توان به آن دسترسی داشت. همچنین این باغشهر از طریق جاده لشگرک، به آسانی به اتوبان ارتش و شمیران دسترسی دارد. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
MAKING OF A DOCUMENTARY: Behind the Scenes(Lavasan)Iran - پشت صحنه فیلم مستند ایران(لواسان)
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#behrouzsebtrasoul The Qashqai are pastoral nomads who rely on small-scale cultivation and shepherding. Traditional dress includes the use of decorated short tunics, wise-legged pants, and headscarfs worn by women.[25] Cultural references. women folk dress:MAKING OF A DOCUMENTARY -زنان قشقائی (مستند) در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia select: In 2006, Nissan named its new European small SUV "Qashqai", after the Qashqai people.[26][27][28] The designers believe that the buyers "will be nomadic in nature too".[29] The new unconventional name was however met with surprise and even skepticism.[30] In Philip Kerr's political fiction novel, Hitler's Peace,[31] Qashqai fighters are used by the Abwehr in an operation aimed at assassinating the three Allied leaders convened in the Tehran Conference. Betrayed to the Soviets, they are then executed by the NKVD. This is pure fiction, as is the legend of Operation Long Jump (Weitsprung), concocted and promulgated into the 21st century by Soviet security (NKVD/KGB) to inflate their contribution to pre-emptive security measures at the Big Three conference.[32] The Qashqai are renowned for their pile carpets and other woven wool products. They are sometimes referred to as "Shiraz" because Shiraz was the major marketplace for them in the past. The wool produced in the mountains and valleys near Shiraz is exceptionally soft and beautiful and takes a deeper color than wool from other parts of Iran. "No wool in all Persia takes such a rich and deep colour as the Shiraz wool. The deep blue and the dark ruby red are equally extraordinary, and that is due to the brilliancy of the wool, which is firmer and, so to say, more transparent than silk, and makes one think of translucent enamel".[22] Qashqai carpets have been said to be "probably the most famous of all Persian tribal weavings".[23] Qashqai saddlebags, adorned with colorful geometric designs, "are superior to any others made".[24] Kashkollu / Kashkuli During World War I, the Kashkuli khans supported the British in their struggle against Ṣowlat-al-Dowla (Iyl-khan) and the German agent, Wilhelm Wassmuss. After the war, Ṣowlat-al-Dowla punished the Kashkuli. He dismissed the Kashkuli leaders who had opposed him and “deliberately set out to break up and impoverish the Kashkuli tribe”.[16] Two sections of the tribe, which consisted of elements which had been loyal to Ṣowlat-al-Dowla, were then separated from the main body of the tribe and given the status of independent tribes, becoming the Kashkuli Kuchak (“Little Kashkuli”) and Qarachahi tribes. The remaining tribe became known as the Kashkuli Bozorg (“Big Kashkuli”) tribe.[17] The Kashkuli Bozorg tribe comprised 4,862 households in 1963. As Oliver Garrod observed, the Kashkuli Bozorg are “especially noted for their Jajims, or tartan woolen blankets, and for the fine quality of their rugs and trappings”.[18] Eymur / Farsimadan The Farsimadan claim that they are of Ḵhalaj origin, and that, before moving to southern Persia, they dwelled in Ḵalajestan, a region southwest of Tehran.[19] The tribe was already in Fars by the late 16th century, for it is known that in October 1590 their leader, Abul-Qasem Beyg and some of his followers were punished for having sided with Yaqub Khan the Zul-Qadr governor of Fars, in a revolt against Shah Abbas I.[20] The population of the Farsimadan was estimated by Afshaar-Sistaani at 2,715 families or 12,394 individuals, in 1982.[21] Dere-Shorlu / Dareshuri / Darehshouri The Dareshuri are said to have joined the Qashqai tribal confederation during the reign of Karim Khan Zand (1163-93/1750-79).[13] According to Persian government statistics, there were about 5,169 Dareshuri families, or 27,396 individuals, in 1360 sh./1981.[14] The Dareshuri were “the greatest horse-breeders and owners among the Qashqai”. The policy of forced sedentarization of the nomadic tribes pursued by Reza Shah Pahlavi (1304–20 SH./1925-41) resulted in the loss of 80–90 percent of the Dareshuri horses, but the tribe made a recovery after World War II.[15] Reza Shah Pahlavi also executed Hossein khan Darehshouri the head of Darehshouri family in order to take back the control of the Fars province which was controlled by Darehshouri tribe during Ghajar empire. Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
women folk dress:MAKING OF A DOCUMENTARY -زنان قشقائی (مستند)
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#behrouzsebtrasoul Qashqai is a conglomeration of clans in Iran consisting of mostly Turkic peoples but also Lurs, Kurds and Arabs.[4] Almost all of them speak a Western Oghuz Turkic dialect known as the Qashqai language, which they call "Turki", as well as Persian (the national language of Iran) in formal use. folk music: MAKING OF A DOCUMENTARY (strong music) - موسیقی محلی (قشقائی) در کانال ما مشترک شوید /Iranian folk musicくईरान में नृत्य/ 舞蹈在伊朗 /la danse en Iran/ Iran choris /춤/伊朗舞/Voyagez avec nous en Iran / ईरान नाचती है । / İran Dans ediyor /Эрон танцует / O irão dança / ईरान के लोक नृत्य/Country of wonders/Terra prodigia select: https://en.wikipedia.org/wiki/Qashqai_people The Qashqai mainly live in the provinces of Fars, Khuzestan, Kohgiluyeh and Boyer-Ahmad, Chaharmahal and Bakhtiari, Bushehr and Southern Isfahan, especially around the cities of Shiraz and Firuzabad in Fars. The majority of Qashqai people were originally nomadic pastoralists and some remain so today. The traditional nomadic Qashqai travelled with their flocks twice yearly to and from the summer highland pastures north of Shiraz roughly 480 km or 300 miles south to the winter pastures on lower (and warmer) lands near the Persian Gulf, to the southwest of Shiraz. The majority, however, have now become partially or wholly sedentary. The trend towards settlement has been increasing markedly since the 1960s. The Qashqai are made up of five major tribes: the Amale (Qashqai) / Amaleh (Persian), the Dere-Shorlu / Darreh-Shuri, the Kashkollu / Kashkuli, the Shishbeyli / Sheshboluki and the Eymur / Farsimadan.[5] Smaller tribes include the Qaracha / Qarache'i, Rahimli / Rahimi and Safi-Khanli / Safi-Khani. Historically, the Turkic languages are believed to have arrived in Iran from Central Asia from the 11th or 12th centuries onwards. "To survive, nomads have always been obliged to fight. They lead a wandering life and do not accumulate documents and archives. But in the evenings, around fires that are burning low, the elders will relate striking events, deeds of valour in which the tribes pride themselves. Thus the epic tale is told from father to son, down through the ages. The tribes of Central Asia were forced by wars, strife, upheavals, to abandon their steppes and seek new pasture grounds...so the Huns, the Visigoths, and before them the Aryans, had invaded India, Iran, Europe. The Turks, forsaking the regions where they had dwelt for centuries, started moving down through the Altai Mountains and Caspian depressions, establishing themselves eventually on the frontiers of the Iranian Empire and in Asia Minor. Though these versions differ, we believe that the arrival of our Tribes in Iran coincided with the conquests of Ghengis Khan, in the thirteenth century. Soon after, our ancestors established themselves on the slopes of the Caucasus. We are descendants of the "Tribe of the Ak Koyunlu" the "Tribe of the White Sheep" famed for being the only tribe in history capable of inflicting a defeat on Tamerlane. For centuries we dwelt on the lands surrounding Ardebil, but, in the first half of the sixteenth century we settled in southern Persia, Shah Ismail having asked our warriors to defend this part of the country against the intrusions of the Portuguese. Thus, our Tribes came to the Province of Fars, near the Persian Gulf, and are still only separated from it by a ridge of mountains, the Makran. The yearly migrations of the Kashkai, seeking fresh pastures, drive them from the south to the north, where they move to their summer quarters "Yailaq" in the high mountains; and from the north to the south, to their winter quarters, "Qishlaq". In summer, the Kashkai flocks graze on the slopes of the Kuh-è-Dinar; a group of mountains from 12,000 to 15,000 feet, that are part of the Zagros chain. In autumn the Kashkai break camp, and by stages leave the highlands. They winter in the warmer regions near Firuzabad, Kazerun, Jerrè, Farashband, on the banks of the river Mound, till, in April, they start once more on their yearly trek. The migration is organised and controlled by the Kashkai Chief. The Tribes carefully avoid villages and towns such as Shiraz and Isfahan, lest their flocks, estimated at seven million head, might cause serious damage. The annual migration is the largest of any Persian tribe. It is difficult to give exact statistics, but we believe that the Tribes now number 400,000 men, women and children. The Qashqai were a significant political force in Iran during the late 19th and early 20th centuries. During World War I they were influenced by the German consular official Wilhelm Wassmuss and sided with the Germans.[7] Find more info at: https://www.namafilmco.com My Twitter: https://twitter.com/sebtrasoul My Facebook:https://www.facebook.com/behrouz.sebtrasoul My Instagram: https://www.instagram.com/sebtrasoulbehrouz Art Instagram: https://www.instagram.com/kimiaartworks
folk music:MAKING OF A DOCUMENTARY (amazing folk music) - موسیقی محلی (قشقائی)
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